Hello from New York City!

I'm here for a week or so because Kim took a position as assistant director on a production of ARCADIA, by Tom Stoppard, produced by BEDLAM Theatre Co.

(Photo Courtesy of BEDLAM, Inc.)

A couple of times a year, your friendly neighborhood artistic director gets to shed the "director" part of his title and become just, and simply, artistic.

Since day one, Kim and I have been very vocal about attempting to pay theatrical artists a "living wage."

Even though I have been a guest artist and supporter of 4th Wall for years, I officially started my full time journey here on January 5, 2023…

I've been thinking a lot lately about what it means to be a professional theatre in Houston, or rather, what it means to be perceived as a professional theatre in Houston.

I’ve been moonlighting! And I’m not the only one.

Thinking about which plays to choose for a new season means looking both outward and inward.

Are audiences returning to theatre? And what exactly does “breaking the 4th wall” mean?

The pandemic really threw a curveball at the actor’s and stage manager’s union, Actors Equity Association, or “Equity” for short.

This season’s plays are picked, the rights are procured, season tickets are on sale – so what does the Artistic Director do now?